A Keeper of a Vast Garden of Art in the Hills of Brazil

Lalo de Almeida for The New York Times

BRUMADINHO, Brazil

NO wonder they call Bernardo Paz the “Emperor of Inhotim.”
About 1,000 employees, including curators, botanists and concrete pourers, swarm around Inhotim, his contemporary-art complex in the hills of southeast Brazil. Globetrotting art pilgrims absorb stunning works like Doug Aitken’s “Sonic Pavilion,” which uses high-sensitivity microphones placed in a 633-foot hole to deliver the bass murmur of Earth’s inner depths.

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